The Fujifilm Finepix X-M1 offers 13 different filter effects which can be previewed on the LCD screen.

Similar to other X series cameras, the X-M1 is not designed to be a weather-proof camera, and I would not expect it to be. Since other manufacturers like Olympus are pretty successful at making their camera bodies weather resistant, I hope it is a matter of time until Fuji starts doing the same. If you are too worried about shooting in extreme conditions, the Fuji X-M1 is probably not for you. X-M1 + XC16-50mmF3.5-5.6 OIS @ 16mm, ISO 400, 1/1800, f/5.6 All of the sample images in this review were taken using the 16 megapixel Fine JPEG setting, which gives an average image size of around 5Mb. Thankfully, the X-M1 came pretty much free of all the nasty autofocus issues that plagued the X-Pro1 and X-E1 cameras. My copy of the X-M1 came with the original 1.0 version of the firmware and I have yet to see any serious AF problems. The camera autofocuses as fast as my X-E1 and its autofocus accuracy feels to be the same as well. Lola and I have shot a few weddings with the X-series cameras (including the X-M1) and the cameras did not experience any issues with autofocus performance, even in challenging low-light conditions indoors. vyžádat si u nás přístup k těmto údajům a tyto nechat aktualizovat nebo opravit, popřípadě požadovat omezení zpracování, The X-M1 is a full-featured mirrorless camera, and keeps up well with similarly priced cameras. You'll find an Advanced SR Auto mode with automatic scene selection, a good selection of scene modes, and plenty of special effects. The X-M1 has the core set of Film Simulation modes, but loses some of the options found on the X-E1. Two things you won't find are HDR or panorama shooting modes. The electronic level from the X-E1 didn't make its way to the X-M1.As with the X-Pro1 and X-E1, the Fujifilm X-M1 is a classically styled interchangeable lens camera that recalls film rangefinders from the past, with a lovely retro design that draws admiring glances from everyone that sees it. At the same time Fujifilm have once again incorporated modern technologies that help ensure that the X-M1 isn't simply a blast from the past. The X-M1's movie mode is similar to that of the X-E1, with the ability to record 1080/30p video with stereo sound and continuous autofocus. The dedicated movie recording button makes it easy to start taking a video in any shooting mode. While you don't have full manual control when recording videos, the aperture can be adjusted priority to shooting in 'A' or 'M' mode. Video quality is decent, though don't be surprised if moiré or rolling shutter effects make an appearance. Performance and Photo Quality Kompaktní fotoaparát Fujifilm X-M1, vyráběný z kvalitních materiálů, působí spolehlivým dojmem. Tělo je z hořčíkové slitiny a gumový grip přispívá k jistotě držení. Bajonet X umístěný ve středu těla činí fotoaparát dobře vyvážen ajeho hmotnost (330g) včetně objektivu je rovnoměrně rozložena. Snadná obsluha. To byl hlavní cíl konstruktérů společnosti FUJIFILM, když navrhovali fotoaparát X-M1. ISO 800 clearly adds more noise to the image (especially in the shadows), as can be seen from the sample crop above. High ISO Performance (ISO 1600-6400) – RAW The Fuji X-M1 comes with a built-in WiFi antenna, the first in X-series line of cameras. While it is great that you can save your pictures to your computer, upload images to your smartphone/tablet, look through the images on the camera or even Geotag your images, there is no way to control the camera through Fuji’s provided camera app. That’s very unfortunate because I expected this feature to be available when I first heard of the WiFi capabilities of the camera. As a result, I did not play much with the WiFi features of this camera or the app.

The Fujifilm X-M1's maximum shutter speed is 30 seconds in the Time shutter speed mode, and there's a Bulb mode which allows exposures up to 60 minutes long, which is excellent news if you're seriously interested in night photography. The shot below was taken using a shutter speed of 25 seconds at ISO 200.When it comes to dynamic range, from what I can tell from the JPEG images, the new X-Trans CMOS sensor seems to deliver good dynamic range in photographs at even high ISO levels. It is no Nikon D800, but you can still recover plenty of details from the shadow areas without adding too much noise. I have been waiting for test results from DxOMark, but they have not released any information on any of the new Fuji mirrorless cameras with the X-Trans sensor, probably due to RAW file support issues. X-M1 + XC16-50mmF3.5-5.6 OIS @ 18.2mm, ISO 200, 1/320, f/8.0 Here is an illustration of a traditional bayer pattern color filter array compared to the new Fuji color filter array: Boosting ISO to 12800 results in more noise and much more aggressive noise reduction by the camera. Noise is apparent in the shadows (although noise reduction makes it look a little “muddy”) and more artifacts are visible throughout the image. Still, ISO 12800 is very usable in my opinion, especially when down-sampled. ISO 25600, on the other hand, looks too muddy and washed for my taste. ISO Performance at low ISOs (ISO 100-800) – RAW